I know I know, it's July and you don't even want to THINK about touching a long-sleeve wool pullover. I'm sorry. (Not really.) You might not be ready to start knitting but why not start playing with color options for your future Dreamer's Braided Pullover? Spend the summer months picking out colors and then begin knitting once fall hits! This design was originally published by Valley Yarns in their Sheffield, which is discontinued, so I was given the rights back to publish it myself and I reknit it in Cascade 220. As such, we already have two color combinations of this sweater floating around. I'm going to focus on options in Cascade 220 since it's such a versatile and affordable yarn. For the sample, I chose a palette of grey and aqua/teal leaning blues.
Photo by Lindsey Topham
One of my favorite things about 220 is the mix of solids and heathers in the color range. Just like mixing in a warm color with cooler ones adds dimension and visual interest, mixing solids and heathers can really spice up the look of your color palette.
You've got lots of options to tackle color for a sweater like this! In all the pairings shown, the center color is the main body color of the sweater. You can choose either accent color to be used for the corrugated ribbing in the hem and cuffs, though in my sample I used the darker color. Of course, you could always work plain ribbing in the MC and have the colorwork be contained only in the yoke of the sweater. (All photos below from Webs.)
Option 1: Neutral MC, two different pops for the CCs
Option 2: Neutral MC, two tonal coordinates for the CCs (same approach as the sample sweater)
Option 3: Non-neutral MC, two tonal neutrals for the CCs
For the sake of covering all our bases and bringing these options back to full circle...
Option 4: Non-neutral MC, two different pops for the CCs--this one's for the adventurous!
Luckily, there are a ton of colorwork sweater patterns out there, so you can always browse other people's projects on Ravelry and get inspired by their choices! My favorite method is to head to my LYS and start playing with the skeins on the shelves. I always come up with new and unexpected combinations that way and it continually surprises me to see what works together.